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<channel>
	<title>matthias koole</title>
	<link>https://matthiaskoole.com</link>
	<description>matthias koole</description>
	<pubDate>Wed, 20 May 2026 15:40:11 +0000</pubDate>
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		<title>Both More And Less Than Itself</title>
				
		<link>https://matthiaskoole.com/Both-More-And-Less-Than-Itself</link>

		<pubDate>Tue, 27 Jan 2026 21:41:38 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<description>
	&#60;img width="3507" height="4960" width_o="3507" height_o="4960" data-src="https://freight.cargo.site/t/original/i/6558918d74c640ce4a849b400895c3fa79e22faeed8361962969923c5e350fca/both-and-more_plakat.jpg" data-mid="246768382" border="0"  src="https://freight.cargo.site/w/1000/i/6558918d74c640ce4a849b400895c3fa79e22faeed8361962969923c5e350fca/both-and-more_plakat.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0f57f873de0a257b9bf755329c82f2b6e40ac3b3812d0c24f2614e0a11f13333/both-more-and-less-than-itself_08_3000px_photo-by-carina-khorkhordina.jpg" data-mid="250203352" border="0"  src="https://freight.cargo.site/w/1000/i/0f57f873de0a257b9bf755329c82f2b6e40ac3b3812d0c24f2614e0a11f13333/both-more-and-less-than-itself_08_3000px_photo-by-carina-khorkhordina.jpg" /&#62;


	BOTH MORE AND LESS THAN ITSELF is a new collaborative project that grows out of a dense network of previous collaborations, with shared projects between the members setting the ground for new connections. 

The previously existing constellations have developed their own aesthetics and practices over time, with distinctive sound worlds and methods of interaction. These accumulated experiences and memories are brought into the sextet. The project is not simply a meeting of six individuals but also of the ensembles and histories they bring into the collective.

The ensemble has a wide instrumental range, with setups moving between acoustic sources, experimental amplification, electronics and preparations. With this, they will develop a 60–80 minute set during a residency at Studioboerne45. A variety of collaborative strategies will be put into practice, using improvisation, different forms of notation or any other means necessary.
Liz Allbee - trumpet
Kobe Van Cauwenberghe&#38;nbsp; - guitars, electronics

Emilie Škrijelj -accordion, electronics

Tom Malmendier&#38;nbsp; - drums, percussion

Marina Cyrino - amplified flutes, objects

Matthias Koole - guitars, no-input mixing)

Flyer by Luísa DóriaPictures by Carina Khorkhordina

STUDIOBOERNE45

16.04.2026

Doors 19:30&#38;nbsp; &#124; Concert 20:00

Börnestr. 43/45

13086 Berlin

Lokal Harmonie

27.06.2026

21:00

Harmoniestr. 41

47119 Duisburg, Germany
Meakusma Festival

03 - 06.09.2026
(exact date TBC)

Eupen, Belgium

Funded by Musikfonds e.V. by means of the Federal Government Commissioner for Culture and Media&#38;nbsp;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/74057ef5254202e097f625adc3cc750fe915181d110a1b6c2265078b799ab4b5/both-more-and-less-than-itself_01_3000px_photo-by-carina-khorkhordina.jpg" data-mid="250203332" border="0"  src="https://freight.cargo.site/w/1000/i/74057ef5254202e097f625adc3cc750fe915181d110a1b6c2265078b799ab4b5/both-more-and-less-than-itself_01_3000px_photo-by-carina-khorkhordina.jpg" /&#62;

 

	

Liz Allbee is an
improviser, composer, and performer residing in Berlin, Germany. She
performs most often on self-designed quadraphonic trumpet, trumpet,
electronics, and voice. Her work encompasses electro-acoustic
composition, improvisation and instrument creation, often focusing on
issues of embodiment and extension.


She
has facilitated workshops for professional artists/musicians,
university students as well as for young children in regional
schools, focusing on group improvisation, multi-disciplinary
performance, text, and collective composition. 


She
has appeared at such festivals and venues as Maerzmusik, JazzFest
Berlin, Donaueschinger Musiktage, and Darmstadt (Germany), San
Francisco Electronic Music Festival (US), Huddersfield (UK), Goethe
Institute Tokyo (Japan) and Wien Modern (Austria) among others. She
is the recipient of funding and grants from Initiative Neue Musik,
Musikfonds, Berlin Senat, the European Network for Contemporary
Audiovisual Creation, Árvore Foundation, and Berlin
Arbeitsstipendium and has been Artist-in-Residence at Cité
International des Artes, Paris, Kunstmeile Krems, Austria,
Avatar-Quebec, and STEIM in Amsterdam, among others. Allbee completed
her M.A. in Music composition at Wesleyan University in 2013,
studying with Anthony Braxton.



https://lizallbee.net/&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2cbadab8330f40838212e8a3542d422110f68a42fded0c055a2f70df5f7bc247/both-more-and-less-than-itself_03_3000px_photo-by-carina-khorkhordina.jpg" data-mid="250203346" border="0"  src="https://freight.cargo.site/w/1000/i/2cbadab8330f40838212e8a3542d422110f68a42fded0c055a2f70df5f7bc247/both-more-and-less-than-itself_03_3000px_photo-by-carina-khorkhordina.jpg" /&#62;Matthias Francisco Koole is a guitarist working as a soloist
and in various forms of collaboration in written music, improvisation
and multidisciplinary projects.

Matthias
Francisco is a member of various groups covering a wide range of
musical styles and practices: Institute for Certified Nomadic Illicit
Sonic Practices (ICNISP) with Marina Cyrino, the new music guitar duo
Oh Mensch with Kobe Van Cauwenberghe, the experimental music trio
Infinito Menos with Mário Del Nunzio and Henrique Iwao, a quartet
with JD Zazie, Tony Elieh and Marina Cyrino, …

Matthias
Francisco is a member of the Brazilian experimental music
label/production house Seminal Records with Henrique Iwao, Sanannda
Acácia, J.P.-Caron and Marina Cyrino. 

Matthias
was awarded a Stipendienpreis at the Internationale Ferienkurse für
Neue Musik in Darmstadt (2010) and was resident at Akademie Schloss
Solitude, Stuttgart (2013-2015).

Matthias
received his PhD from the Universidade Federal de Minas Gerais (UFMG)
in Belo Horizonte, Brazil, under the supervision of percussionist
Fernando Rocha and ethnomusicologist Lúcia Campos.He
lives and works in Berlin.



matthiaskoole.com



	







	


	
	
	
	


Marina Cyrino is a
Brazilian flutist, sound artist and researcher currently based in
Berlin. She works across improvisation, composition, DIY instruments,
performative installations. She is a member of the Brazilian
experimental music label/production house Seminal Records. She holds
a PhD in Music Performance and Interpretation from the University of
Gothenburg.Her
flute playing is shaped by techniques developed through the use of
internal amplification. Kaleidoscopic rhythmic patterns, the
extensive use of objects and balloons attached to the instrument, and
the use of disassembled flute parts are striking elements of her
playing. 






https://marinacyrino.art.br


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Tom Malmendier is a
mostly self-taught drummer and percussionnist. From the beginning
improvisation naturally imposes itself as a central point of all his
musical and sound research. He claims an interest in
transdisciplinary projects and multiplies meetings with dancers,
visual artists or poets.

He
plays with Otomo Yoshihide, Fred Frith, Axel Dörner, Michael Thieke,
Franz Hautzinger, Christine Abdelnour, Mike Ladd...


https://www.tomalmendier.com/
	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0b4f198cda11e9fc33be4baac7b96d24f63aebefc60330a90a160678c7bd6397/both-more-and-less-than-itself_05_3000px_photo-by-carina-khorkhordina.jpg" data-mid="250203344" border="0"  src="https://freight.cargo.site/w/1000/i/0b4f198cda11e9fc33be4baac7b96d24f63aebefc60330a90a160678c7bd6397/both-more-and-less-than-itself_05_3000px_photo-by-carina-khorkhordina.jpg" /&#62;

Emilie Škrijelj explores
the accordion in its smallest folds and uses it both as a percussion
instrument and a generator of electroacoustic materials. Inspired by
her research around the turntable, modular synths and field
recording, she brings the accordion to the abstract territory of
electronics by manipulating the bellows, rubbing its contours and
exploring its extremities.



She
plays with Lê Quan Ninh, Michael Thieke, Otomo Yoshihide, Christine
Abdelnour, Biliana Voutchkova, Xavier Charles, Mike Ladd…



https://www.emilieskrijelj.com/Guitarist Kobe Van
Cauwenberghe, born in Antwerp, Belgium, is a committed performer
of the music of today. In addition to a master degree in guitar
performance at the conservatory of Ghent, where he studied with Tom
Pauwels, he received a 2nd master degree in Contemporary Performance
Practice from the Manhattan School of Music in New York City, where
he studied with David Starobin and Mark Stewart. 

As
a soloist he released his first solo-album “Give my Regards to
116th Street” on the New York label Carrier Records in february
2015, receiving critical acclaim in Wire Magazine a.o. In 2017 he
created the solo project “No [more] Pussyfooting” with live
arrangements of music by Brian Eno and Robert Fripp, which he toured
extensively in several international festivals and venues. He also
forms the guitar duo Oh Mensch with Matthias Koole, with whom he was
a fellow at the Akademie Schloss Solitude in Stuttgart. 

Kobe
has a PhD in the arts at the Conservatory of Antwerp, focusing on the
music of Anthony Braxton. His research resulted in the acclaimed solo
album “Ghost Trance Solos” (ATD10, 2020) and the double LP “Ghost
Trance Septet” (eNR105, 2022). With his Ghost Trance Septet he
performed double bill concerts with Anthony Braxton at Rainy Days
Festival in Luxembourg and De SINGEL in Antwerp. 

Kobe
is a founding-member of the electric guitar-quartet Zwerm, and, from
2011 till 2021, a member of the Nadar Ensemble. As a freelance
guitarist he performed with several groups and ensembles such as the
Ictus ensemble in Brussels, ensembles 2E2M and Multilatérale in
Paris, and in New York with the Wet Ink Ensemble, Talea and in a tour
celebrating Helmut Lachenmann’s 75th birthday with Signal Ensemble
a.o. 




www.kobevancauwenberghe.com



	
	



	



	
	
	
	









	


	
	
	
	











	


	
	
	
	







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	<item>
		<title>Disquiet</title>
				
		<link>https://matthiaskoole.com/Disquiet</link>

		<pubDate>Wed, 08 Apr 2026 11:25:41 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<title>REC-DISORDER</title>
				
		<link>https://matthiaskoole.com/REC-DISORDER</link>

		<pubDate>Tue, 15 Oct 2024 19:48:54 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

		<guid isPermaLink="true">https://matthiaskoole.com/REC-DISORDER</guid>

		<description>
&#60;img width="3375" height="4219" width_o="3375" height_o="4219" data-src="https://freight.cargo.site/t/original/i/978ea6a014fd95abdfff86ee868f41451ee3dd3237af01c941a41094066b5682/hanna_insta.png" data-mid="219803676" border="0"  src="https://freight.cargo.site/w/1000/i/978ea6a014fd95abdfff86ee868f41451ee3dd3237af01c941a41094066b5682/hanna_insta.png" /&#62;
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&#60;img width="3375" height="4219" width_o="3375" height_o="4219" data-src="https://freight.cargo.site/t/original/i/8b5b29bd57c25d92e2dbf23146bb8d67ae62eac0a9eb3e9e80e5458c7366dbf7/felicity_insta.png" data-mid="219803675" border="0"  src="https://freight.cargo.site/w/1000/i/8b5b29bd57c25d92e2dbf23146bb8d67ae62eac0a9eb3e9e80e5458c7366dbf7/felicity_insta.png" /&#62;

Art: Luisa Dória

The project REC-DISORDER explores the use of recorded sound in live performance. It proposes the creation and performance of four solo pieces to be composed and performed by Peter Cusack, Hanna Hartman, Felicity Mangan and Matthias Koole. 

The project questions the role of recorded sound in relation to the physicality of the sound sources, the devices responsible for their transformation and reproduction, and the performers who record and perform.

Each solo piece will take a different perspective on recorded sound as a sonic, subjective, informative and imaginative tool in a performative environment. 

In Cusack's approach, sound offers the possibility of perceiving other, unfamiliar places through a sensibility different from the visual and logocentric. In Hartman's work, the abstraction of sound gives way to the free association of disparate objects. In Mangan’s work, the recordings are transformed into “a quasi-bioacoustic music” with lots of attention to the rhythmic qualities. In Koole's work, the physical presence and performance of the performer merges with the spatiality of the recording.

With these four different approaches, the project proposes a multi-layered concert with different sensitive approaches to recorded sound in performance, reflecting on how disembodied and reembodied sound and performance can make us perceive materiality differently.
&#38;nbsp; &#38;nbsp;

18. October, 19:00
In Situ Art Society: A Decade of Dissonance

Dialograum Kreuzung an Sankt Helena

Bornheimer Str. 130, 

53119 Bonn

19. October, 20:00

KunstRaum Dorissa Lem,

Geisselstr. 56, Hofgebäude,

50823 Cologne

25. October, 20:30

Ausland

Lychener str. 60

10437 Berlin

About the Artists:Hanna Hartman is a Swedish composer, sound artist and performer based in Berlin. She has composed works for radio, electroacoustic music, ensembles, sound installations and given numerous performances all over the world. Her many awards and grants includes the Karl-Sczuka-Prize, the Phonurgia Nova Prize, a Villa Aurora grant and the Rome Prize (Villa Massimo). During 2007 and 2008 she was Composer-in-Residence at the Swedish Radio and in 2019 at Huddersfield Contemporary Music Festival. Hanna Hartman is a member of the German Academy of the Arts.

Her work has been presented in numerous concerts and festivals. Such as Darmstädter Ferienkurse , Ultima Oslo Contemporary Music Festival , Huddersfield Contemporary Music Festival , el nicho aural Mexico City, Akousma Montreal, London Contemporary Music Festival, Eclat Festival Stuttgart, Cut &#38;amp; Splice Festival Manchester, Rainy Days Luxemburg and Roma Europa, Rome.

http://hannahartman.de/https://soundcloud.com/hannahartmanPeter Cusack is a field recordist and sound artist/musician with a long interest in the sound environment. He initiated the “Favourite Sounds Project, which started in London and has since taken place in Beijing, Prague, Manchester, Taranto, Hull, Berlin, Braunschweig. His project ‘Sounds from Dangerous Places’ (sonic journalism) has investigated the soundscapes of sites&#38;nbsp;

of major environmental damage like the Caspian oil fields, the Chernobyl exclusion zone and the Aral Sea, Central Asia, and asks the question, “What can be learnt about dangerous places by listening to their sounds?”. He is a member of Crisap (Creative Research into Sounds Arts Practice) at the University of the Arts, London and during 2011/12 was a guest of the DAAD Berliner Künstlerprogramm. His current work – field recording, audio streaming, soundwalks, guitar playing on location – often concerns environmental crises as they are heard close to home, particularly in Berlin where he lives.

https://petercusack2.bandcamp.com/https://sounds-from-dangerous-places.org/
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany.&#38;nbsp; In different situations such as solo performances and collaborative projects. Felicity samples and plays her field recordings and found sounds to create quasi-bioacoustic music.

Felicity has released several solo publications, one on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –&#38;nbsp; presenting a sound piece, crafted from found recordings of frogs, insects and o

ther ‘vocal’ animals wavering about in a stereo field. As well as Creepy Crawly (Mappa Editions) and Bell Metal Reeds (One Instrument). More recently Wet on Wet (Klangklamm/Warm Winters Ltd.), Train Tracks Recorded and Editing by Felicity Mangan (Possible Motive) and a single Körner Park (Care of Editions). As well as a former duo project release with Stine Janvin Native Instrument - Camo (Shelter Press). Felicity has presented projects in many different settings including Technosphärenklänge CTM/HKW, Sonic Act Academy and Sound design for 100 Climate Conversation for the Power House Museum, Sydney, Australia.

http://www.felicitymangan.org
Matthias Francisco Koole's practice shifts between improvisation and various forms of collaboration in written music and multidisciplinary projects.

His groups include ICNISP - Institute for Certified Nomadic Illicit Sonic Practices, with Marina Cyrino; the guitar duo Oh Mensch with Kobe Van Cauwenberghe, the experimental music trio Infinito Menos with Henrique Iwao and Mário Del Nunzio; the quartet Hiccup, with JD Zazie, Tony Elieh and Marina Cyrino; Matter Kori with Teresa Riemann.

In the past, he was a founding member of the guitar quartet ZWERM. He has played or is playing as a freelance musician in ensembles such as the Ictus Ensemble, Champ d'Action, United Instruments of Lucilin, Brussels Philharmonic, BIT20 Ensemble, Opera Lab Berlin.

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		<title>02.10.2023 copy</title>
				
		<link>https://matthiaskoole.com/02-10-2023-copy</link>

		<pubDate>Wed, 16 Aug 2023 09:25:09 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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	02.10.2023Album Launch OÊ [38:48] at OEM Records
Matthias Koole&#38;nbsp; (Acoustic Steel String guitar)Martin Clarke (Saxophone)Peter Cusack (Acoustic Guitar) &#38;amp; JD Zazie (Turntables)
Café Plume &#124; 20 UhrWarthestraße 6012051 Berlin
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		<title>Aug 30-31 &#38; Sep 1-2 copy</title>
				
		<link>https://matthiaskoole.com/Aug-30-31-Sep-1-2-copy</link>

		<pubDate>Wed, 16 Aug 2023 09:06:51 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<description>

	


	
&#60;img width="598" height="842" width_o="598" height_o="842" data-src="https://freight.cargo.site/t/original/i/93c3b21ac2225e86cee02e7d801e67bddadd7ea6d6ae7fe960924ee8286f577d/buck_passing_A5.jpg" data-mid="188066674" border="0"  src="https://freight.cargo.site/w/598/i/93c3b21ac2225e86cee02e7d801e67bddadd7ea6d6ae7fe960924ee8286f577d/buck_passing_A5.jpg" /&#62;


	


	
	
	
	




30.08 - 02.09 2023

Buck
Passing - Installation.



Institute for Certified Nomadic Illicit Sonic Practices (Matthias Koole 
&#38;amp; Marina Cyrino) together with the poet/performer Angélica Freitas 
and the film director/video artist Sina Ataeian Dena present the 
installation version of their new interdisciplinary collective creation.
The project »Buck-Passing« is both a sound-theatre performance and a 
multimedia installation. The artists combine instrumental techniques, 
refined satire and critical use of chroma keying to address the 
intertwining of global north and south in producing criminal 
environmental disasters. They are interested in performing - and 
intervening in patterns of attribution of blame, also known in English 
as »buck-passing«. These are strategies to postpone responsibilities, 
which aim to make the crimes fall into oblivion, hinder investigations, 
and deviate from the essential: the care and protection of human and 
other-than-human life.
The sound theatre performance was recorded in April at Morphine Raum and
 is the basis for the installation they present at Labor Neunzehn.
The installation goes from 30.08-02.09 from 2 pm -6 pm.The artists will do a talk during the finissage on September 02 at 8 pm.


	
	
	
	


Marina
Cyrino: concept, amplified flute. (ICNISP)Matthias Koole:
guitar electronics. (ICNISP)Angélica Freitas: text,
performance.Sina Ataeian Dena: live video editing, video.
Luisa Dória: Poster



	
	
	
	


Installation:Aug
30-31 &#38;amp; Sep
1-2Labor NeunzehnKiefholzstr. 1912435 Berlin



 



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		<title>LO-NT [04:07] copy</title>
				
		<link>https://matthiaskoole.com/LO-NT-04-07-copy</link>

		<pubDate>Wed, 16 Aug 2023 21:45:34 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<title>About</title>
				
		<link>https://matthiaskoole.com/About</link>

		<pubDate>Wed, 09 Aug 2023 11:18:59 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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For full CV, press&#38;nbsp;here
The practice of brazilian guitarist Matthias Francisco Koole navigates between 
several forms of collaboration in improvisation,&#38;nbsp; written music,  and 
multidisciplinary projects.&#38;nbsp;
		Matthias Francisco is part of different groups, covering a wide range of musical styles and practices: ICNISP – Institute for Certified Nomadic Illicit Sonic 
Practices with Marina Cyrino, the new music guitar duo Oh Mensch with Kobe Van 
Cauwenberghe, the experimental music trio Infinito Menos, with Mário Del Nunzio and Henrique Iwao,&#38;nbsp; the no wave duo Matter Kori with Teresa Riemann, and Hiccup, a quartet with JD Zazie, Tony Elieh and Marina Cyrino described as “tropicalist abstract glitch electronic radical impro” by Mat Pogo.
Matthias Francisco is a member of the Brazilian experimental music label/production house Seminal Records with Henrique Iwao, Sanannda Acácia, J.P.-Caron, Cássia Siqueira and Marina Cyrino. As part of the label, he organised and curated the Belo Horizonte the improvisation series QI - Quartas de Improviso. Quartas de Improviso with Henrique Iwao from 2013 to 2022. QI is still active without Matthias and is the longest running experimental music series in Belo Horizonte. In the same city, he also curated the festival Số(m) - encontro internacional de arte sonora in 2016 as concerts that are not necessarily part of a series or festival. Now in Berlin, he is still involved in curating albums and organising the Terminal series with Marina Cyrino.

		
		In the past, he was a founding member of the guitar quartet ZWERM. He 
played or plays, as a freelance musician, in ensembles such as Ictus, 
Champ d’Action, United Instruments of Lucilin, Brussels Philharmonic, 
BIT20 Ensemble, Opera Lab Berlin…
		Recordings include Calisthenics by ICNISP solo improvisation cd 34:46 released by 
Seminal Records, Quem Indica with Henrique Iwao , Natacha Maurer and Ariane Stolfi and Disputa e Guerra no Terreiro de Roça de Casa de Avó 
with Scarassatti, Henrique Iwao and Marina Cyrino released by OEM Records.
		Matthias was awarded a Stipendienpreis at the Internationale 
Ferienkurse für Neue Musik in Darmstadt (2010) and was resident at 
Akademie Schloss Solitude, Stuttgart (2013-2015). He studied guitar in 
Ghent, Belgium, with Tom Pauwels and obtained his PhD at 
Universidade Federal de Minas Gerais (UFMG) in Belo Horizonte, Brazil 
with percussionist Fernando Rocha and ethnomusicologist Lúcia Campos as 
advisors.
		In 2021 Matthias was a fellow at Labor Neunzehn, Berlin in the context Weltoffenes Berlin Program of the Senate of Berlin.
Matthias Francisco lives and works in Berlin.



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		<title>Upcoming</title>
				
		<link>https://matthiaskoole.com/Upcoming</link>

		<pubDate>Thu, 24 Aug 2023 10:33:53 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<description>UPCOMING EVENTS</description>
		
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	<item>
		<title>27.06.2026 </title>
				
		<link>https://matthiaskoole.com/27-06-2026</link>

		<pubDate>Wed, 20 May 2026 15:40:11 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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	27.06.2026
21:00

Lokal HarmonieHarmoniestr. 4147119 Duisburg, Germany

	BOTH MORE AND LESS THAN ITSELF is a new collaborative project featuring Liz Allbee (trumpet), Kobe Van Cauwenberghe (guitars), Emilie Škrijelj (accordion, electronics), Tom Malmendier (drums, percussion), Marina Cyrino (flutes, objects), and Matthias Koole (guitars, no-input).

On 16 April 2026, they will present a 60–80-minute piece that they have been developing during a three-day residency at Studioboerne45, employing a variety of collaborative strategies. 

The ensemble has an unusually wide instrumental range. The musicians will bring setups moving between acoustic sources, experimental amplification, electronics and preparations.Funded by Musikfonds e.V. by means of the Federal Government Commissioner for Culture and Media (BKM). 

 

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	<item>
		<title>10.06.2026   </title>
				
		<link>https://matthiaskoole.com/10-06-2026</link>

		<pubDate>Wed, 20 May 2026 15:37:00 +0000</pubDate>

		<dc:creator>matthias koole</dc:creator>

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		<description>
	10.06.2026


Villa Kuriosum
Berlin
	Villa Fundraiser
Mat Pogo - voice
Utku Tavil - drums
Matthias Koole - guitar
	

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